Tuesday, 24 September 2013

THE PAPER KITES @ THE METRO | 31-08-13

A warm winters Saturday night, I stood alone as part of a sold-out crowd at The Metro Theatre to see the notable talent before me which were The Paper Kites. The lights were dim; the anticipation was high and not long after the band took to the stage – the crowd was utterly enamoured.

This Melbourne 5 piece outfit consisting of Sam Bentley, Christina Lacy, Dave Powys, Sam Rasmussen and Josh Bentley make music that conveys honesty and earnest storytelling, while making you feel like you’re floating on a cloud. You know them bands that just sound so darn pretty? Well yeah, they’re one of those.

Not wasting any time they opened with a new track full of whitewash percussion, smooth guitar riffs and heaven like vocals – which together gave a blistering performance.

In succession came songs old and new, the crowd clapping along to ‘A Maker Of Time’ followed by soft intricate guitar picking, use of synths and plush melodies in ‘Young’ a track off their new album States.

Throughout the set also saw the switching and addition of various instruments; the tambourine, harmonica, double bass, banjo, violin and horns – all merged catering to their ethereal, moody soundscape.

A personal highlight came during the delivery of ‘Arms,’ where Sam Bentley’s vocals propelled a complete hush over the audience, sending shivers right down my spine. It came more dominant in their slow numbers the emotional elation, to the feeling that I was the only one there.

But there was no doubt that it was ‘Bloom’ that took the claim of being the crowd pleaser of the night. From start to finish, the room saw punters rejoicing in song along with the band, displaying a real tender moment of unity.

Mention must be made however where is deserved to Christina Lacy. Her accompanying hypnotic delicate vocals captured the beauty of the tracks perfectly, revealing Lacy as a talented artist in her own right.

The set came to a close on encore with Christina on vocals, doing a rendition of Feist’s ‘Comfort Me.’

For the majority of the night’s show the audience displayed a remarkable level of respect; completely engrossed in the music performed. There is definitely something about this bunch of musicians that just solely and effortlessly wins over a live audience. It isn’t every gig that the artist before you can churn your emotions, but on that rare and raw occasion this does occur – well it really is no wonder to why the show was sold out.